A few weeks ago we spoke to novelist Laurel Dewey about her approach to creating the lead character of her acclaimed suspense novel, Protector. That interview got us thinking about the bigger picture: How did Laurel develop her can't-put-it-down, page-turning story? We discovered that Laurel trained as a screenwriter -- and had applied techniques for writing for the silver screen to writing her novel. We asked Laurel to tell us about that, and she graciously shared this detailed -- and invaluable -- conversation with us:  Continue reading...

Like many ex-journalists, I pride myself in being skeptical. But my Lou Grant exterior is sometimes defeated by my inner Pollyanna. When that happens, I enjoy reading a blog by Love Is the Killer App author Tim Sanders.

In an April 3 entry, Tim argues that simply being kind is one of the keys to success. "A 2002 study on customer service found that if you are likeable and competent," he writes, "you have a threefold increase in the likelihood of getting satisfactory service."

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How do you capture the sense of a cuisine in words? To find out we called the acclaimed chef Rick Bayless, the author of six books on Mexican cooking and host of the PBS show "Mexico -- One Plate at a Time." We had a fascinating and wide-ranging conversation with him about food, language, 1940s anthropologists, and his latest cookbook, Mexican Everyday:

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After a long hiatus, I caught up with my friend and expert writer Clark Morgan for another installment of "Bagel & Schmear" -- our occasional series of conversations about composition between bites and bad 80s music at our local Manhattan bagel shop. This time our talk turned to the paragraph, that unheralded workhorse of writing. Here's our discussion. - Editor  Continue reading...

When we talk about writing style, we mean one of two things: a set of rules and conventions regarding words and punctuation (sometimes known as the "house style" of a given publication); or a distinctive, identifiable way of assembling words and punctuation (sometimes known as "tone" or "voice"). The first kind of style is all about standards: it's why newspaper writers spell out all numerals under ten and why New Yorker editors -- alone of all their tribe -- spell vendor as vender. The second kind of style is about deviations from the standard. It's what makes us recognize a passage of prose as indisputably Ernest Hemingway's or Joan Didion's or David Foster Wallace's or Maureen Dowd's.  Continue reading...

"If you read for pleasure, read a lot, you will soak up writing lessons without trying," says writing coach John Rains, who publishes a blog called Notes From A Writing Coach. "After a while," he continues, "you will find yourself noticing the lessons -- beginning to see how the writer achieves the effects that make the story work." Read John's entire post here (scroll to the March 16th entry).